About Face

It begins with the bridge into this world.
It recedes as you walk into birth.
You remember it as a song echoing the gap it spanned.
That song defies the delivery, the static wailing.

In times of crises that song rises in your cells.
It works to dispel your denial of the truth.
Your pinched fingers clean dead moths from a window sill
and then their dust from your hands.

You know there are two cliff faces where you stand.
One is real, rock hard, with a river running the bottom.
The other is the choice between conflicting actions,
endings and beginnings and definitions of both.

The real cliff is not the same as when you last visited.
This time tree branches cluster with leaves.
The pungent sage in the air.
The thistles wear the purple of popes.

You arrive here remembering the barrenness.
At least that is what you tell yourself.
But it was the other chasm that requires bridging
that brought you here and a memory of doing so once.

Suddenly, you doubt you fed the dog this morning.
How could you be so negligent?
Doubt roughs you up, both inside and out.
It rubs you raw as it smooths out a thought.

The song breaks through for a moment
and spans the physical chasm with a dusty light.
You feel a leap of faith is required
to bound over the bridge onto a solution.

But you take a step back from both edges.
You realize you do not require definitions
of endings and beginnings.
They are synonymous and daily in appearance.

A line of quail speed past you, take up your attention
and turn you around to follow them.
First with your eyes. Then with your feet.
You are back at your car. Seven miles from your dog.


copyright © 2019 Kenneth P. Gurney

postscript

When I lived in Taos, NM in the late 1990s, I often went to the Taos Gorge and the trailhead there. I went for walking. I went for the beauty of the mesas. I went for the rent in the earth and the river far below.

Depression was a lot worse for me back then than it is today. I would go to the gorge to think, to processes the multitude of experiences that happened in a week or in the past. There is something about larger than humanity geography that humbles this person. Evidence that the world is far larger than yourself. Why I like living in the mountains, though a sea or great lake coast will do in a pinch.

During my years in Taos, the gorge became a place the people traveled across the country to commit suicide. From the highway bridge to the bottom is more than 800 feet. Some of the people leapt from the edge of the gorge instead of the bridge. The walls are fairly sheer and the rocks jagged enough.

I remember puzzling out my past and my present either in the mountains or along the gorge. My latest therapy session epiphanies. My appreciation of being alone and how it conflicted with a desire for connection. And so on.

Nature had (and has) a way of grounding me. Whether it is the flight of hawk in the gorge. Or the color of a flower bloom. Or the unexpected appearance of an animal. Magpies were favorites. I never felt lonely with magpies about.

I return to this basic poem and write it anew at least once a year. Similar, but different. The gorge. The impassable. And needing to span the fall to go forward. Or to recognize that gulf in the mind is just an old conviction and can be changed with altering attitude or perception.

I seem to rewrite this poem observing myself, separate from myself. Hence the You, even though I am speaking of my footsteps and the nature I stand in.

Love & Light

Kenneth

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